A bit of silent film, a few monsters, and a song from Alice Cooper. I loved making this, just me and Quicktime.
A bit of silent film, a few monsters, and a song from Alice Cooper. I loved making this, just me and Quicktime.
One of the recent assignments in ds106 was to work with a group to create an hour long show for ds106 radio. This was due shortly after we returned from ISTE12 so I was a bit concerned about getting it done. However, two and a half hours one evening and I had created my five minute segment (is that ratio normal?!?). My group chose to create a show called A Tourist’s World. When thinking about being a tourist my mind immediately went to Istanbul, Turkey. (Our show aired tonight. I’ll share a link when it’s available on archives somewhere. There were some fabulous stories there.)
freesound.org was a huge help on this assignment. I began my piece with some soft waves of the Bosphorus River. As my visit to Istanbul was on the cruise ship when I worked on it, I wanted a ship’s horn. Thinking of Istanbul made me think about the song, Istanbul, Not Constantinople which seemed like a fun bit to include here. When I think back to my (brief) time in Istanbul I think of the busy streets, crowded marketplaces, the call to prayer, and the prayers in the mosques. I decided to close with a bit about Turkish baths and the soothing sounds of the Bosphorus again.
I learned about layering the audio tracks, keeping one quiet at times. I didn’t get it totally right, but I am learning. It was fun to plan the segment and to search for just the sounds I wanted.
We also had to create a radio bumper to promote our show.
For this I wanted to create something that immediately suggested travel. I began with the sound of an airplane taking off. Then I snagged the dong sound that happens when an announcement is made on an airplane. I followed that with a bit of the announcements about moving about the cabin and finished up with a bit of the announcement about remaining seated upon landing.
Again, fun to plan and fun to search out the sounds.
Over the next few weeks, I’d like to look at some of my favorite crime films. Something about cops and robbers grabs me. Maybe it’s the loyalty and betrayal – or the chess match between good guys and bad guys racing to figure out where all the pieces fit before their counterparts do. Emotional and tactical thinking. Passion and prowess. Great directors and performances. Romanticizing childhood. The works.
For my Return to the Silent Era assignment, I decided to rework a trailer for Heat, which I watched three times in the theater when it came out. Since then I’ve watched it a kajillion times on VHS and DVD. Danny Trejo, Jeremy Piven, and Henry Rollins in one film! Hometown star Amy Brenneman!
I grabbed a trailer from YouTube using the Firefox add-on Download Helper.
Then, to begin producing the silent era trailer, I searched the Creative Commons pool on Flickr for a card I could use for titles, dialogue, and credits. I found this card and painted over its text in Acorn.
Next, I watched the trailer a few times to transcribe the dialogue and narration.
After that, I imported the trailer into iMovie and began to work on editing it.
It was a shame to strip out the soundtrack and dialogue. The trailer, like the film, is a gem of both audio and visual editing, pacing, and story-telling. I love the soundtrack, including Moby’s contributions. To preserve some of that pacing, I tried to edit the trailer in such a way that my title, credit, and dialogue cards occupied splits where new dialogue or dramatic beats existed in the original trailer.
After I stripped out the sound, I made the clip black and white. Then I exported it.
Next, I made my title, credit, and dialogue cards in Acorn. I edited out some lines from the original trailer. I also amended or otherwise edited some of the dialogue I used so that it would fit legibly on a card and not take too long to read. I used the STFangSong font because its serif has more curves than corners, like the border embellishment of the cards I used for text.
I opened iMovie again, imported the black and white version of the trailer, and edited in my cards. I made a new card for Regency because its original logo had some animation on it. I left the first Warner Bros. credit alone because it’s a static painting of an iconic trademark; it isn’t so jarringly modern as an animated logo.
After I worked in my cards, I exported the movie again. Then I imported that file back into iMovie. With every new import, I deleted older clips from the editing box in iMovie, but kept them inside the project library for reference so that I could, say, skim the original trailer to see who said what when.
I used the film grain effect in iMovie to age and deform the black and white trailer.
Then I searched freesound.org for piano riffs to use in the trailer. I wanted something elegiac that sounded unproduced (like a real piano) and that looped like Moby’s theme in the trailer. I found this clip, which had a tinny sound to it, almost as if it had been recorded and played-back on early, low quality audio equipment, or as if it had suffered over time from multiple-transfers to new audio formats on its way into my trailer. I opened Garage Band and played around with layering this loop with other samples from freesound.org, but I couldn’t make anything that wasn’t way too distracting. Ultimately, I just looped my sample for the length of the trailer. However, I wouldn’t mind trying to score it sometime in the future using Garage Band and a Korg Nano Key or something.
Finally, I exported the grainy, piano-looped silent era trailer, uploaded it, and shared it here.
In watching it again (and again and again as I worked), I think I could have edited out everyone but Pacino and De Niro. I suspect the narrative of this silent era trailer would have worked better in terms of pacing if it had focused exclusively on the main characters and the core dynamic of their relationship with one another. As it is, the silent era trailer feels a little long to me, but that might also be a function of the music I chose or something else that will hit me later.
I was having a look at The Recursive Camera — MISSION: DS106
You’ll need a camera. And you’ll need another frame. Hold the frame in one hand (don’t let you hand cover the side facing you), and take a picture with it in the center of the image. Then step backwards and take another photo just like it. Repeat until you are tired of making art. Nest the images in Prezi inside the frame of the next picture. Now make a zoom path. Record it with video capture software. Add some video editing (you’ll have to use multiple stacks(only so much zoom in Prezi atm) and splice the ends of them together to make it seem contiguous), and you have a trippy.
I though I’d give this a short test before I tried to make a whole movie.
I got it a bit wrong, I didn’t realise that the camera should show the last taken photo. I decided to see what I could do.
I then tried to take the photo into imovie, and use the ken burns effect to zoom in or out. This did not work as I could not zoom in enough.
So I opened up my old copy of Flash 5 and put the image on the time line, I made this frame a keyframe and added another keyframe at fame 240 on the timeline. I scaled te start and end to get a zoo,
This seemed to work ok, so I though to try exporting to a quicktime movie, another fail. I ended up exporting to an image sequence, 241 images. This I opened in QuickTime and saved to a 1.1 mb m4v:
So although I’ve not managed VideoAssignments546 yet (so have not tagged this post) I’ve had a bit of fun, dusted off Flash for the first time in years, and have perhaps a better idea of how to go about this assignment. I’ve also added the sublimevideo plugin this blog.
I’ve got a few things, post-ISTE, I feel a need to respond to. None of these have to do with the conference, they are all in response to others’ responses to the conference. Sheesh, that’s a bit absurd when I type it.
ISTE always brings out strong feelings from people about technology and its use in the classroom. I get that. Most of the time I enjoy all the debate and discussions about tools vs. pedagogy and how to marry the two successfully. Most of the time I enjoy the thoughts about the value of teaching without technology as well.
However, lately I find myself getting irritated by what feels like superiority and smugness when people write about the negative side of technology and the sheer beauty of life without it. These are people I respect and people who use technology well. It seems like a need to prove something or show they are better than those singing the praises of technology. I don’t think technology is a panacea. I don’t think it should dominate our lives. I think a healthy balance is important. I don’t think life without technology is superior to life with it.
During ISTE I was lucky enough to spend some time chatting with Gary Stager. He’s an educator who pushes my thinking. I don’t always agree with him, but I think he prefers it that way. He wrote about his frustration with cliches, especially ones about how much teachers can learn from their students.
The motivation behind uttering such banalities is likely positive. It acknowledges that children are competent and encourages adults to learn with them.However, these clichés suggest a power relationship in which all adults (particularly teachers) are resigned to the role of bumbling TV dad while the kids rule the roost. In education, this often serves as a justification for why teachers irrationally fear computers and modernity or appear to have stopped learning.
Here I agree with Gary about 95%. The only place I feel a need to nitpick is that I think children often have a wisdom born from their youth and inexperience from which we adults can learn. They are not yet jaded and cynical in the same ways as adults and, as a result, see things we don’t. When I think of all I have to learn from my first graders, I am thinking of seeing the world from their perspective and learning from that.
Gary also shares a short video clip of Branford Marsalis. I have several of his CDs in my classroom in frequent rotation throughout the day. He is a phenomenal musician. In the clip (worth watching just as Gary’s post is worth reading) Marsalis talks about his students wanting to be told how fabulous they are without putting in the necessary effort.
How do we get kids to put in the effort if they don’t feel some success with it? They need encouragement but they also need to be held to high standards.
Of course, isn’t that true for all of us?
If I had it all to do over again, I’d have configured things so that the data center segment, which was recorded as a Google + Hangout from Second Life, had more of dream sequence sort of feel to it. But as this is still very early days of the project, I don’t think we need to split hairs.
I did take note when a dear friend from the old days told me she was going to have to bail on the current format of TF&G. She said,
“As much as I’m rooting for you to finally make it as a podcaster, I can’t keep listening to your recent recordings. It feels too much like I’m riding on an out of control jet ski across your subconscience.” (sic)
So me might have lost a listener, but I think we’ve got the text for the first generation of TF&G t-shirts and for a bumper. I’ve already recruited a couple of listeners with voice acting experience to record the jetski bumper.
Now all we need is a graphic for the t-shirt. Please get in touch if you’d like to take a stab at it.
The podcast now shows up in iTunes. The only problem is that only the one or two most recent recordings show up on the rss feed. I’ve made an adjustment to the feed setting so that it should display the 40 most recent posts instead of ten.
Until a better solution is found, such as creating a single feed just for the podcast, I hope this will work.
As for the GIF, this is a brief moment from the CBS detective drama Mannix which ran from the late sixties to early seventies. Based on the YouTube clip, Timothy Carey’s role in the episode seems to be as one of a typical bit supporting character. But in customary Carey fashion he totally steals the scene with this curious gesture directed to a departing Joe Mannix.
SLIDE GUY TELLS ALL!!!!
The much maligned Slide Guy is reaching out to Confidential! SG tells us he’s been undergoing rehab with Dr. Drew in an undisclosed location and he’s ready to tell the whole story. Look for the next blast from DS106Confidential to hear SG’s side of the whole Camp MagicMacguffin business (if our hockey-playing friends from the north don’t get to him first!)
Wake up and smell the LaBatt’s Burtis!
THEY ship you off to the middle of nowhere for supposed “training” while Alan Levine is working in a multimillion dollar research facilty. You’re taking pictures of pebbles while Mr. L. manipulates space and time – which, by the way, is how they get that mammoth facilty inside the tiny confines of Shed 4. THEY give you a camera that will only take video sideways whille Mr. L. is controlling huge vats of Liquid Nitrogen and powerful lasers through the power of his mind.
It’s another setup Martha, just like last year – you’re being distracted with fake “training” and holograms while CVI carries on their schemes. It’s not too late – keep your aluminum foil handy at all times! Don’t trust anyone, especially my brother Jim Beets – he’s not quite right and is constantly spouting weird theories.