Archive for the ‘ds106’ Category

 

Silent Harry

Tuesday, July 10th, 2012

He’s the baddest cop on the streets in 1908…

I felt I was overdue to sit down and do a ds106 assignment, one to do some iMovie work as a demo for our current students. I was called back to do Return to the Silent Era (one I added myself) with the hopes that I could push iMovie a bit farther than the last one I did — 2001 a Space Odyssey set back 100 years.

The assignment is:

The dawn of cinema had no audio; silent movies created an atmosphere with music and the use of cue cards. Take a 3-5 minute trailer of a modern movie and render it in the form os the silent era- convert to black and white, add effects to make it look antiquated, replace the audio with a musical sound track.

I was trying to think about what would be interesting to set to silent era- it’s easy to look to science fiction or movies from the future. Too easy. I combed through my video drawer and saw the Dirty Harry disc there, and said hmmm, the opening action sequence that defines Harry’s character, his lunch ruined because of some criminal activity that just lands in front of him, the first of the “Do You Feel Lucky, Punk” lines would be fun. It’s the whole juxtaposition of the same lines played out at the end that defines the criminal mind of Scorpio.

The look of the original film had all the stampings of the 1970 era (filmed in 1971), the big cars, mutton chop sideburns, the semi flattened lighting, the lingering feel of the hippie era– all of this seemed interesting to try and take back to a different era via the silent film treatment. Would Harry be as tough with that big gun back in 1908? Would his isolationist character command the same results?

Go ahead…

I started by finding and downloading the 740p version of the scene

I started by making up my title frame in Photoshop, starting with one I found out there. I wanted to add an icon, so I pulled apart the top figure to leave room to insert a 44 Magnum:

(click for full size)

I added some noise and cracelature filter to make it a little more dirty.

Here is a snapshot of my working area in iMovie (this is iMovie 11, so some of the tools and menu names are different in earlier versions):

(click for full size)

After loading the clip in iMovie, I first dragged the graphic for the title card I made to right in front of the video clip. I use the small on the clip to go to clip effects and added the “romantic” one which made it glow.

For the text I dragged the Center style right onto the frame, and added my text. By highlighting the text, and selecting “Show Fonts” I switched it to “Goudy Old Style”. Later I will show you an easy way to replicate this.

The next steps are going through the clip and making splits on key segments. These include points right after some dialogue that I want to add the title cards, pretty much in this case, all of Harry’s lines. To break up clips, just move the cursor to the point where you want a split, press control to get the contextual menu, and select “Split Clip”. I also split in places where I knew I might want to have different clip speeds.

COpying the title card is a matter of clicking once to select its frame (it lights up yellow) and then command C to copy. Move the cursor just to the right of another split to paste a copy of the card.

Then for the title, click an existing title (the blue bar above), and press the option key and drag it until it drapes over the entire new card (the blue should fill the rane, my screen shot is off a bit). This will make a copy of the text track with all the same settings and make it fit in the same length of time as the card.

You might have to mess with the font size to make things fit.

I did this for all the dialogue. Once I had that in place, it is time to remove the original audio. I selected each clip, and selected Mute Clup from the Clip menu (or just command-Shift-m).

The next steps are to give the video the old style treatment; while there is an aged film effect, I dont like it because it does a sepia tone, and it is too bad you cannot apply more thane one effect (like adding a black and white). I have a trick though!

On the small menu on each clip (looks like a gear) first sslect Video Effect, and set the saturation to 0- this makes it black and white:

I then press the Clip tab for these adjustments. I found that the “Glow” effect worked well to give it a washed out look, your mileage may vary and the vignette or the Romantic work well. For the action sequence I sped up the clips in various amounts to give it that frenetic energy, anywhere from 120% to 400%.

I repeated these steps on every section.

There were a few places I trimmed the clip, and one or two when I needed Harry’s mouth moving, so I would copy and paste a clip of him, reversing it so he would not be an exact duplicate each time.

Once the video was all ready, I went to the Internet archive, and found some ragtime music in the 78 RPMs & Cylinder Recordings collection called Ragtime Echos (1918) featuring Samuel Siegel on mandolin and Marie Caveny on ukulele.

I downloaded the mp3 version and dragged it onto the iMovie track, making sure it lined up below the tracks (so it is not made into a background for the entire project). Here is another trick, since my audio track is longer (you can drag the right and of the clip to extend it as far as it will go) I click the audio track gear icon, and chose “Audio Adjustments”. I set the fadeout to be manual so ti will fade before it ends abruptly.

Thats pretty much the editing. I had planned to do a longer feature, a middle clip of the Harry/Scorpio confrontation in the football stadium, and the closing chase scene which bookends the original. But alas, you get the idea, and the “Do you feel lucky” scene sites fine with me as a single thing.

I wanted to try the trick Michael Branson Smith does to add more effects to his videos by using the 8mm app on his iPhone but alas, I could not figure out how to upload it so the app would see it. I hope it is not as crazy as just filming it off the screen!

I’m pretty happy with the way this turned out, but oh, I stayed up way too late doing this.

Kill Bill as Silent Movie

Tuesday, July 10th, 2012

One of the current ds106 video assignments challenges us to return to the silent era:

The dawn of cinema had no audio; silent movies created an atmosphere with music and the use of cue cards. Take a 3-5 minute trailer of a modern movie and render it in the form of the silent era- convert to black and white, add effects to make it look antiquated, replace the audio with a musical sound track.

Backstory

To complete this, I looked at several clips that could be used. I started by looking at trailers, as suggested in the assignment. I considered Jaws, Forrest Gump and Pirates of the Caribbean but I found that the trailers either contained too much talking and not enough action or jumped from one scene to the next too quickly to provide enough context. So, I decided to look for a purely action sequence. Since my previous assignment featured Quentin Tarantino, I figured that I might as well return to his work. I found a clip from Kill Bill Vol. 1 that someone posted to YouTube that already contained two fight scenes. I liked the idea of combining this modern, dark, samurai-type of film with some dixieland music. This incongruous combination appealed to me!

Process

I have worked with iMovie quite frequently to document school events but rarely played with many of the features. I was able to easily convert the clip to black and white and sped up the film to produce what I hoped would look like a silent movie but the image still felt too crisp. I decided to Google some advice and found iCreatemagazine.com which I immediately added to my Flipboard! It offered easy to follow tips for making a silent movie look and, I’m hoping, will have a decent feed to follow. One tip that I found there suggested that I should not accept the default of 30 frames per second but instead reduce that to 24 to achieve a jerkier motion. It also explained that the Aged Film effect would add those vertical lines one sees on old films. However, since I had sped the film up, these lines were not visible. I decided that I should speed up the film and make it black and white and then export it. I could then re-import it and add the Aged Film effect. Worked like a charm!

Best:

My original clip was 10 minutes in length. I doubled the speed to seem more like an old movie but, at 5 minutes, it still felt too long. I am hoping that the further two minutes that I edited out are not too obvious. This is where I impressed myself most: I was surprised how seamless the final version appeared! I took out a good chunk of the first fight scene (more obvious) and several sections (mostly amputations) in the second. This allowed me to keep the video to just 3 minutes. I was pleasantly surprised with how the scenes still flowed from one another.

Disappointments/ Ideas for Next Time:

Only the Organic Main template seemed appropriate for a silent movie but the iMovie Titles are a dead give-away to the fact that one has used that software. I wish that there was an easy way to create your own. I suppose that I could have created my own and saved them as jpegs and then inserted them as photos. Maybe next assignment…

Music was a challenge. I really need to do some more audio work. I started to fool around in Garageband but didn’t find the sounds that I wanted to easily create some dixieland music so I opted for the built-in iLife jingles (Gelato, Vino and Tigris). I added these three themes to my movie and left it at that.

Take-Away:

I may have taken some liberties with this task but I did learn more about iMovie than I knew before… if nothing else, the quick keys for splitting a clip (shift-command-s) will come in very useful in the future!

I need to remember to take some in-progress screenshots to add to these posts. In the meantime, enjoy Silent Bill.

The Seventh Seal: Mindful, Minimalist Movie Poster

Monday, July 9th, 2012

3 little stars Design Assignment 43: Create a tv/movie poster that captures the essence of the story through the use of minimalist design/iconography.

Inspiration
I’m no Bergman connoisseur nor real film buff for that matter, but Bergman’s The Seventh Seal has a scene that is pure poetry, verbal and visual. To set up the scene, a knight, Antonious Block, returning from the Crusades, challenges the devil to a game of chess believing this to be a clever ploy to stall for more time, life. Delaying the inevitable, the knight along the journey back to his castle meets a juggler, Jof, and his wife, Mia, and young child, Mikael. The wife shares the family’s meal, strawberries and milk, and Block remarks:

I shall remember this hour of peace: the strawberries, the bowl of milk, your faces in the dusk. Mikael asleep, Jof with his lute. I shall remember our words, and shall bear this memory between my hands as carefully as a bowl of fresh milk.
[He drinks from the bowl.]

Block’s comments really resonate with me and remind me of my constant quest to live in the moment or hour and make the most of the rich yet simple encounters that make up a life. I think that for all of the pleasures and opportunities that the digital world brings that it also antes up the challenge to live mindfully.

You can watch this scene on YouTube and if you’re as intrigued by Bergman’s work as I am then you’ll enjoy this retrospective on his work by Woody Allen. Allen was seriously influenced by Bergman’s work and work ethic and believes that Bergman’s films will stand the test of time and still be enjoyed and studied when the trendy films are long forgotten. It is both the soul and the technique of Bergman’s work that inspires Allen.

Process and Reflections

A minimalist poster seemed quite appropriate for Bergman’s metaphor-rich film.

Bowl of strawberries on chessboard

I knew immediately that I would integrate a nod to chess and to the bowl of strawberries in my poster. The simple black and white squares I think conjures up a chess board and hints at the good/evil dichotomy of the story. I placed the bowl of strawberries on a diagonal to draw the eye immediately there. The one red strawberry adds a touch of the surreal and lets the viewer know that all is not as it seems. Finally, I used the Google Languages tool to translate the title into Swedish, Bergman’s native language.

Aspirations
I cut the bowl of strawberries from clipart and made some effort in GIMP to smooth the edges. I’d really like to learn to use a program like Illustrator that I’ve heard others mention to draw an abstract bowl of strawberries in black and white. Then I’d colorize the one strawberry for effect.

Or I’ve seen Giulia Forsyth create amazing drawings on her iPad. I’d wonder if that would be a good approach to create drawings. I love to draw.

It just occurred to me that my friend Norm always closes with “That’s my story. Any questions?” and I always seem to end with a question to help me tell my story better. An appropriate sign-off for me.

Analysing the Basterds [sic]

Monday, July 9th, 2012

I really didn’t want to believe it. Wouldn’t films that follow rules just seem formulaic? How could following the “rules” still produce a good film after over 100 years of cinematography? I hoped it wouldn’t work but as I completed this ds06 assignment, I realized it was more true than I thought!

Week 7′s assignment encouraged us to

Write a blog post that explains your selection by identifying key scenes that use some of the elements described by Roger Ebert in his article “How to Read a Movie” essay

As I started to think about movies I liked, I came up with just about everything by Quentin Tarantino. Yes, there tends to be a lot of violence in his films and, as someone who doesn’t generally condone gratuitous violence, I find it amazing how much I enjoy his movies. I am always really impressed with how he can often make me laugh at what should be the most inappropriate times (i.e. often in the midst of a very violent act).

I decided to see what clips I could find of Inglourious Basterds. Since I was really impressed with Christoph Waltz in this film, I watched one of his opening scenes and couldn’t believe that it followed Ebert’s rules to a T! Maybe that’s the genius of Tarantino – combining very familiar camera work with an complex character, setting and/or plot.

Following the Rules

In the movie, Colonel Landa is both charming and evil. In this early scene that dichotomy is set up according to Ebert et al’s rules:

I neglected to mention that Colonel Landa is constantly moving in and out of the light. This is confusing as the audience isn’t completely certain if he is a good or evil character.

Although I couldn’t find a version of this scene with English subtitles, maybe it’s better that way – you can see the full effect of the visuals and the music regardless of the dialogue.

Great opening sequence!

Breaking the Rules

Part of this assignment was to also determine and justify the genre. Is this possible with a Tarantino movie?! My best attempt would be to go with “Alternate History”. This is a Tarantino re-visioning of World War 2 that, thankfully, allows for some complex characters that are neither wholly good nor wholly evil. The world is rarely black and white; it is usually many shades of grey.

Pre Production of Movie Week!

Monday, July 9th, 2012

This Is My Story Tutorial 2 stars

  • Find a story worth talking about, my bike accident when I was little.
  • Sentence or two per index card
  • Find music for this particular story- iTunes-typed in instrumentals-sometimes it works to go blindly into something because the outcome can be fantastic.
  • I will put the audio and video together in iMovie and from there put the music to match the movie.
  • Last step is to upload to YouTube.

 

Calling All Explores 2 stars

  • Went to Lake Tahoe and took three videos of a hiking day trip I went on.
  • I plan to edit these videos together, with music in the background and some sound effects that I will look for on freesound.org
  • Some of the sounds will be corny, like a heart beating or panting. Others will be natural wild sounds like birds chirping, or having a river flow by. This is about the outdoors so the noises should be based around “wildlife”
  • I will edit this video in iMovie and then upload it to YouTube. After its on YouTube I will embed it into my blog.

 

Make a Tutorial for your Mom 5 stars

  • What I have struggled with is how to make a video of your desktop. I’m still in the works of combining audio with the silent video. However once this step is complete I can begin making a tutorial for my mother.
  • I told her about the assignment I did for DS106 on the movie segments and reading a movie. I’m going to show her the step by step process on how I made this Youtube Video.
  • I will film myself (my desktop) on each step. The first step will be to go onto YouTube and get the URL’s. I will then upload these URL’s into a website called www.keepvid.com
  • After this downloads, I import them into iMovie. I edit it down to the length that I want.
  • I export the video and upload it onto YouTube, then embed into www.katherinekame.com

Screen Capture Story 2 stars

 

  • I’m going to tell a story on my computer of editing a picture. I love playing around with images, like colors, size, and filters.
  • I’m going to use an image that has to do with nature, something simple and completely change it. (Just for the sake of this assignment)
  • I’m going to do this through using quick time and taking a recording of my screen.
  • I will then upload this to YouTube then to my blog!

Not Reading a Movie

Sunday, July 8th, 2012

Good Plan

So my intention was to sit down and “read a movie” for this week’s ds106 assignment. I read Roger Ebert’s article on How to Read a Movie, I looked over the chapter on Moving Images in a new book I have called Media Literacy in the K-12 Classroom by Frank W Baker and the I hit the list of TIFF Essential 100 to pick a movie to analyse.

Poor Execution

As I was looking over the list, I came across the film Amelie and thought that might be a good one to “read”. I really enjoyed the movie when I saw it but it was so many years ago that I would have to find it and watch it again before completing this assignment. Instead I started looking at the other visual assignments that I could do and I recalled a mash-up I had seen quite a while back that combined the Toy Story 3 and Inception trailers. I started to wonder if Inception would be a good movie to read – I had also really enjoyed that one when I saw it. Of course, that made me want to try my own mash-up of Amelie and Inception. So, I found the trailers for both, downloaded the sound and video from YouTube with my Firefox add-on and combined them in iMovie.

Fun

I think it worked pretty well! I like the combination of whimsical Amelie and ominous Inception trailers.

This might fit video assignment #463 – Watching Movies with the Stereo On: Like when you have a movie playing on TV without the sound and you’ve got the stereo on at the same time. Take a clip from a movie, remove the audio, and add audio from a song or radio show that, somehow, kind of fits.

I’ll tackle a “proper” video assignment later this week with more original content…

Reading Toy Story

Sunday, July 8th, 2012

The goal was to pick a movie, preferably a classic. Toy Story, in my opinion, is one of the most creative films made so far. I chose two segments from this film that Roger Ebert’s discusses in his journal about “How to Read a Movie”.

Toy Story falls under the genre of, Animation, Action, and Comedy.

The first segment I took, was the introduction of Buzz Light Year to all the other toys in Andy’s (the “leader” or child who plays with the toys) room. Ebert’s discusses how the angle of a shot can determine the anarchy between two characters. In this specific scene the image of Buzz Light Year standing in Woody’s spot shows that his presence will be significant in comparison. Woody is now being replaced by Buzz. He stands below him, basically hiding from this new toy that is being presented.

 

The second segment is the use of color, contrast, and bright vs. dark. At this point in the movie, Woody is clearly jealous of Buzz and schemes a plan to temporarily get rid of Buzz Light Year. The lighting through out the movie has always been daylight, sunny, an overall nice feeling. However, in this scene, the sun is setting and its starting to get dark out. This depicts the transformation in attitude for Woody. He is starting to look like the Villin of the film. All of the toys that were once faithful to him are turning against him after he pushes Buzz out of the window. There change in lighting reflects the mood that the movie has taken towards Woody.

Link to the segments^^

This process of putting clips together was a bit confusing at first. I have NO experience with video and editing at all. I used iMovie to edit all the pieces together but it was trial and error. I couldn’t at first figure out how to even get movies into iMovie, then found the import/export tab. I used KeepVid.com to download the youtube movies. I then used Photo Booth to record myself talking just a bit about each segment. The hardest (but now the most obvious part) was to get the file to be small enough to actually download onto YouTube. In the end all I had to do was change the file to Mp4 manually.

105 degrees

Sunday, July 8th, 2012

It’s hot.  It’s been hot all week, and I’ve been thinking about The Twilight Zone episode called “The Midnight Sun.”

The word that Mrs. Bronson is unable to put into the hot, still, sodden air is ‘doomed,’ because the people you’ve just seen have been handed a death sentence.

Yeah.  That’s kind of how I feel.

If you’d like to view the episode in its entirety, do it:

Last night I started working on video assignment #539.  I generated the random words and found some of the pictures through Google Images.  I had some idea of where the story was going to go.  I went to bed.  I sat down with it again tonight, and the tale veered in a different direction.

In “Midnight Sun,” civilization faces its last days.  The story below focuses on a doomed relationship. What has happened?  Has the couple fallen into different rotations?  Has the affinity for a crappy band taken its toll?  Maybe the constant tallying of mistakes has worn thin.  Or maybe it’s just the damn heat.

The opening of the project was stolen from this tweet which appeared in my stream this afternoon:

Readin’ Gone With the Wind (the Movie, not the Book)

Saturday, July 7th, 2012

This week, a we start the examine video in DS106, we examined some movie reading tips from Roger Ebert’s blog “How to read a movie“. our challenge was to apply these concepts to a favorite movie or other compelling film. I chose to examine one of my all-time favorites, a classic in cinematography, Gone with the Wind.

I’ve read many books that later became movies. This is one of the very few where I did not intentional read the book first. Reading a movie is very different from reading a book. Instead of translating the words to images in your imagination, the scene is given to you and you are reading the placement of characters, positioning of people and things, camera angles, lighting, music, etc. to interpret underlying or hidden messages, intentions or influences.

In clip below, Rhett declares to Scarlett in his domineering style: “No, I don’t think I will kiss you. Although you need kissing badly. That’s what’s wrong with you. You should be kissed, and often, and by someone who knows how.”

Though some of the dialogue is antagonistic, both characters start by continually moving to the right, evoking a positive perspective on the scene. Rhett is positioned on the right appearing dominant over Scarlett on the left. Scarlett’s severely upturned face is tilted upward and to the right, into Rhett, expressing imbalance in the exchange. I think in this case, Scarlett is presenting herself submissively to Rhett, despite her sassy attitude and declaration to the contrary. At the end of this segment, she walks away from Rhett, into the camera’s foreground in a left sweeping movement. This accentuates a helpless, resigned feeling for her, but I think it fails to make her dominant. I found it interesting to note that despite Rhett’s rejection, she is still glancing to the right, back at him, indicating a continued positive regard for him.

 

The next scene I examined is the famous “Frankly, my dear, I don’t give a damn” ending to the movie. Here, Rhett walks away from Scarlett and seemingly out of her life. Scarlett is now positioned on the right with Rhett on the left suggesting she is the more positive one in this situation. During and immediately following his departure, she is facing and looking to the left, negatively into her past. After she collapses on the stairs and hears or remembers previous dialogue about her home, Tara, she begins to face right. Speaking the infamous line “after all tomorrow is another day”, she is looking dreamily to the  right with the camera angled slightly from below her eye line, enhancing her in this scene and expressing a positive attitude toward her future. This is also reinforced in the closing shot, where she is silhouetted against the sunset overlooking Tara, again facing right toward Tara. Tara position on the right in this scene suggests it is her positive influence and hope.

Gone with the Wind fits nicely into the drama genre. Within any given genre, there are tropes, or storytelling conventions. This classic film from 1939 is an example of a Bittersweet Ending trope, more specifically the Senseless Sacrifice trope. There are many more tropes at play in this film, throughout different scenes and characters. Discover more about what trope are at play in your favorite movie at TVTropes.org.

 

 

 

A Little Creative Commons Love

Saturday, July 7th, 2012

Check this out!  I used an image from flickr as part of my I Can Read Movies design assignment.  I credited the photographer who took the original image in my blog post, and somehow he found it.  Check out his kind comment at the bottom of the page.  Cool, huh?