Archive for the ‘openonline’ Category

 

Learning to Listen

Saturday, July 28th, 2012

 
I have been taking an online class at UC/Denver called “Digital Storytelling in the Curriculum.” The author of this digital story called “Learning to Listen,” is Matt Lewis. He introduces himself this way:

“About a year ago I took the stage in front of about 30 people to tell a 10-minute story I wrote and developed in a workshop the weeks prior. I loved the energy of the room before and after the performance. I loved hearing all the other stories. In the weeks prior, I relished in the art of crafting stories that could be told with universal themes, connections to people, and reflections on life. I found myself devouring stories from the Moth, This American Life, and Risk! story podcasts. I’m hooked on storytelling!

Since then my colleague, Mustafa Sakarya, and I have been waving the storytelling flag all across campus at Mercy College. We say that learning must include learning FROM life. It’s a process of deep reflection, meta-cognition that can only happen after you’ve told someone about an experience. Building opportunities for this into classroom activities and assignments continues to be a fun and rewarding journey.”

 

A Dream of Sloths

Saturday, July 28th, 2012

IMAGE: Three-Toed Sloth. From the exhibition Amazonia, featuring photography from National Geographic photographer Sam Abell, at the Jordan Schnitzer Museum of Art on the University of Oregon campus at Eugene in 2010.

The Night the Cruise Ship Caught Fire, I Found Two Three-toed Sloths on the Beach

When  I got there, the waterfront was burning. Ambulances wedged between fire trucks,  and people silhouettes were running with litters in both directions on the long pier. Streams of water shot out over the cruise ship backlit  by the flames and the midnight neon of the city in the distance.

I came up along the shore where bodies rolled like logs in the surf. The surf broke at its crest and hissed up the black sand. A human sized figure struggled to crawl up the beach, but each wave hammered at it, loosening its clawing grip in the sand and sucking it back to sea.

I ran down to see if I could help, and it was then I saw the baby with its almost human face crying just out of the struggling parent’s weak grasp. I grabbed the baby creature just under his armpits and dragged him up above the surfline. Mother would be dangerous, I knew, so I found a 10 foot length of bull kelp and threw one end to her. I stood on the other end, heavy enough to steady it. She used her three long toes to drag herself up above the breaking waves.

The baby clung to his mother’s chest, human and yet not human. I stood back as the two of them disappeared into the heavy grass and sheltering complexity of the dunes.

I should call the zoo, I thought, but in a dream, you let the creatures that emerge from the sea escape into the dark outside the over bright circle of noise and lights cast by the fire, the ambulance, the big water trucks, and the burning ship.

China Teacup and a Coffee Mug

Friday, July 27th, 2012

While getting ready to make my way for the airport on my final day in Japan, it seems there’s just time enough for one more animated GIF. The clip above is from an elaborate song and dance number from W.C. Fields’ International House. The musical number, from which this post draws its title, takes place in the ballroom of a hotel in Wuhu, China where very curious things are going down. This 1933 Paramount Pictures’ film is another one I must see when I’m back in the states.

I put the animated GIF together last week but have been too busy pulling everything together for today’s departure that there wasn’t time to get it posted. I did however have time to watch an amazing 11 minute clip from International House on the YouTube. Though I’ve never been much of a W.C. Fields fan, I’m feeling an odd desire to further explore his career as I become more interested in old Hollywood. I’m also eager to see performances by several other Hollywood legends who appear in International house such as Franklin Pangborn, George Burns and Gracie Allen, Rudy Vallee, and Bela Lugosi.

My favorite sequence from the YouTube clip is the dialog between Fields and the hotel nurse Gracie Allen. Though not shown in the clip, Allen’s husband George Burns played the hotel doctor. It is an absurd conversation in which the dingy and naive ALlen clearly gets the better of the surly drunkard. After she walks away Fields delivers a flabbergasted line that totally kills me, “The wren’s cuckoo.”

I’d hoped to be able to say more about why I find this film so intriguing but I really have to get my show on the road. Hopefully, I’ll be abe to find a DVD of in the states and post a review at some point – or at least some more animated GIFs.

Bootlegs Volume 1: the Soundlab Sessions

Friday, July 27th, 2012
Admittedly, this is the Casa (not Soundlab), but that is the 12 string Grant was playing in the Soundlab recordings).

Originally dropped in Alan Levine’s Storybox, which I think was supposed to remain a one-stop shop for media content, Grant Potter and I recorded a bunch of songs sitting around the Soundlab kitchen table back in September of 2011 that I’ve played on #ds106radio a time or two, but thought I would share here. I’ve spent the last week assembling different pieces of music, writing and presentations to be collected and shared on a separate page of this site with the hopes that assembling these works in such a way will lead me to the ‘next’ place in each of these extra-curricular directions.

As a kick off, and look back, at some of the music I feel fortunate to have made in the last year, here are a few choice cuts from the Soundlab Sessions, with Grant Potter.

Weighty Ghost (Wintersleep cover)

Dreams (Fleetwood Mac cover)

Hungry Heart (Bruce Springsteen cover)

I like Trains (Fred Eaglesmith cover)

Me and My Bike (Sweet Cascadia cover)

Fashionable People (Joel Plaskett Emergency cover)

A menagerie that represents my personality

Friday, July 27th, 2012

buddy
What animal represents my personality? My wife suggested a cat. “They’re generally intelligent, but somewhat aloof.” Buddy is friendly and apparently doesn’t mind spiders.
owl
I wrote about the owl already. That it’s graffiti makes it kind of hoodlumish.
turtle
I liked this turtle that I found. It was by far the largest I’ve ever seen outside of a zoo. Something about tentatively coming out of a shell seems appropriate to the assignment.
two headed snake
I have been looking for a way to use my two headed snake picture, although I’m not sure how much it relates to my personality. Snakes like to keep warm, and ones with two heads are unusual.
cats
I didn’t take this picture – my friend Crazy Joey posted it to Facebook, but I like the cats. They rock.

More Thoughts from Chapter Four of Choice Words

Thursday, July 26th, 2012

I really need to get rolling with chapters seven and eight of Choice Words but some thoughts from chapter four keep ringing in my head so I’m going to reflect on them first.

On page 31 Johnston writes,

We hear a lot about teaching children strategies, but we often encounter classrooms in which children are being taught strategies yet are not being strategic (Ivey, Johnston, and Cronin 1998). Teaching children strategies results in them knowing strategies, but not necessarily in their acting strategically and having a sense of agency.

That distinction between knowing strategies and acting strategically is a critical focus and there is such a huge difference there. He continues on citing work from Marie Clay about having students generate strategies themselves. One more quote, on the next page, helps me clarify why this feels so important.

The strategy of arranging for a student to figure something out independently, without full awareness, and then reflecting on it, has been called “revealing.” Courtney Cazden (1992) contrasts this with “telling,” in which the teacher is explicit up front and then the student practices what he has been taught to do by someone else.

Johnston considers the possibility that revealing is a harder skill for teachers than telling and I think he is probably right. I often feel that doing the right thing as a teacher, for my students, is harder than traditional teaching methods.

As I reflect on things I have learned, especially things I have learned in recent memory, I know that when I have had to struggle a bit, work through things and work them out on my own, I tend to feel more confident in my knowledge or skill.

Reading this reminded me of some recent studies I had learned about. One I read about on KQED‘s Mindshift blog and it hit on why students should work things out themselves rather than simply be told something.

So important is the feeling of confusion, writes D’Mello, that parents and teachers shouldn’t try to help children avoid it, or even simply accept its presence. They should deliberately induce confusion in learners. Not “hopeless confusion,” of course, which occurs when “the impasse cannot be resolved, the student gets stuck, there is no available plan, and important goals are blocked.” Rather, “productive confusion” should be the aim. It’s achieved by helping the student recognize that the way out of confusion is through focused thought and problem solving; by providing necessary information and suggesting strategies when appropriate; and by helping the student cope with the negative emotions that may arise.

This sounds an awful lot like what Johnston is talking about regarding agency. Allowing students to take their confusion and work through it not only helps them truly learn something but it shows them that they are capable of doing so and of solving their own confusion.

EdWeek had an article that reinforced this thinking for me.

Robert A. Bjork, the director of the Learning and Forgetting Lab at UCLA, calls this sort of challenge “desirable difficulties.” Just as in physical exercise, the more students have to exert their mental muscles to learn a new concept or recall and idea, the stronger their memory and learning will become. 

The analogy to physical exercise helps this make more sense for me. All of this: Johnston’s book, these articles and these studies, reminded me of my husband’s (a college professor) mantra: “Uncomfortable, but not paralyzed.” This is how he wants his students to be. Pushed out of their comfort zone but just enough so that they work to make these new skills or new content comfortable for themselves.

As I reflect on this I feel that this is something we do both really well and really poorly at primary grades. We work to give students independence and let them solve their own problems, but sometimes we fall into the habit of simply doing something for them or telling them how to do things because it is so much faster. I need to remember the idea of agency and keep myself in check.

The Learning and Forgetting Lab at UCLA sounds like a really amazing place. What an awesome name for a place to work.

Digital Argument

Thursday, July 26th, 2012

Sometimes researching court cases is the more effective way to meet a legal challenge, as Scott Smith shows in this engaging digital argument.

Scott Smith has created a lively digital story for his 8th grade American History class that demonstrates how DST can be used to put forth an argument.

https://sites.google.com/site/smithclassinc/Home/american-history-class

Creativity for Hire?

Wednesday, July 25th, 2012

I just finished my first commissioned video project. The “commissioned” aspect brought a whole perspective.

It’s not that the expectations were high. The professional association to which I have belonged since I became a teacher decades ago is doing a website makeover and wanted a video to promote the annual conference coming up in March 2013. Specifications were that I use the Ken Burns effect to bump up the visual interest from a plain slide show.

So bump it up, I did. The conference theme, “Investigate That Story,” was inspired by a quote by David Coleman, one of the authors for the Common Core State Standards:

Read like a detective and write like an investigative reporter.

And the conference logo has a bit of film noir going for it. At least that’s what I see with the kid in the trench coat and fedora.

NCRA logo

So I enlisted the help of a dashing young friend from my teen book and writers’ club who fancies himself an actor and taped a simple opening and close that I made black and white, found some film noir-like music, and then simply added some author promo shots and book covers.

Biggest lesson was creating a lead-in to my actor’s “hot tip” line. I’m sure public library patrons thought I was “casing the joint” as I attempted pan after pan on different library shelves trying to find the perfect or at least less Blair Witch-like move. I wanted to set the mood with music before I came to the actor so I needed a rather long visual sequence. Adding the Coleman quote gave me a chance to lengthen the lead-in purposely.

So here’s my completed video:

I’m not sure my educator-friends know quite what to make of this but they seem okay with it as long as I got the Ken Burns moves on the images going. What if they had hated the film noir effect? Glad I didn’t have to face that because, though I believe that constraints inspire creativity; I also know that all the joy of creativity can be sucked out if you don’t have some freedom and space to realize your vision.

I’m definitely not ready technologically or emotionally for commissioned work.

Got a question for you iMovie fans. Can I insert an image and add text? I resorted to PowerPoint to create the brief bio slides for each author but, surely, I can accomplish this in iMovie.

Colonial Feminist

Wednesday, July 25th, 2012

Bethany Cornish has created a digital story told from the point of view of an American colonial feminist and activist, Penelope Barker. This is an example of how a digital story can be created to highlight and personify any historical figure in any field of learning.

Penelope Barker circa 1773

Integrating FeedWordPress with BuddyPress

Wednesday, July 25th, 2012

I am writing a larger post about open architectures and the implications of what appears to be a more general move away from a focus on open as in sharing, collaboratively building, and collectively designing a space for teaching and learning others can use freely and build upon liberally. No where in the raging discussion around MOOCs is there anyone talking about sharing the infrastructural/architectural work they’ve done freely with others.  CUNY’s Commons-In-a-Box project makes the innovative development work they have been doing for years freely available for others to experiment with. That is the spirit of sharing that seems to me should characterize the groundswell for open, online education—localizing the means of production for as many people as possible rather than turning to more taylorized broadcasting methods that deliver content—we’ve been there and done that. When did scaling the LMS become the next frontier of innovation?

Anyway, more on that in another post. What this post brings together is the thinking Martha Burtis, Alan Levine, Tim Owens, and I have done about integrating BuddyPress with FeedWordPress to allow the signup process to seamlessly load feeds, filter tags, and bring posts in without any manual intervention—of which there is all too much currently.

We actually virtually met with the designer of FeedWordPress, Charles Johnson, and ran all these ideas by him and he was up to the task. He’ll hopefully begin work on these elements for integration shortly, and we are hoping he can lean on Boone Gorges if he has any BuddyPress questions :) (Poor Boone, I am always bothering him—HE’S A FAMILY MAN NOW, BACK OFF GROOM!) So, for anyone interested in the specifics of what we are trying to accomplish with this integration, the details (some of which are a bit technical) are listed below. Recommendations, feedback, and praise are all welcome ;)

  • Automatic registering of ds106 feeds from BuddyPress profiles
    • Someone enters a URL for the blog they want to use (Note, pre-explanation need; e.g if the entire blog is for ds1o6, enter that; if they have a blog used for other purpose, they need to add URL for a ds106 tag or category (e.g. http://somewordpressblog.com/category/ds106 or http://somewordpressblog.com/tag/ds106
    • Internal function looks for possible feed from site (prob an internal function in FWP as used for admin interface), also some test code at http://lab.cogdogblog.com/feedfinder.php this should pop an ajax window with options to set blog, and it should populate a new buddypress ds106 feed field
    • If no feed is found, it goes into moderation and an email is sent to admin
  • Widget to generate list of blogs associated with a particular FWP applied  tag (or all) – I [Alan Levine] just hacked one for magic macguffin http://magicmacguffin.info/subscribed/ documented at http://cogdogblog.com/2012/06/03/dynamic-opml-feedwordpress/
    • widget to generate list of blogs syndicated on a site (might have to have option for scrolling list in case it is long)
    • Function to generat OPML file based in tag
  • Automatic tagging of feeds based on buddypress profile options  (e.g. default tag for all, others based on affiliation)
  • Way to get data we can display or use from feed activity- e.g. frequency of posts, time of posts, etc. or at least some hooks into the database so we can more easily roll our own. e.g. API or functions to call on FWP for information
    • return array of blogs subscribed for whole site (and meta info), or by tag
    • function to test if blog is subscribed
  • Advice about cron jobs for feed updating, perhaps a means to spread into batches for large numbers of crons. Two uses cases:
    • Site like ds106, where we just have a lot feeds syndicating into a single site.
    • Site like UMW Blogs, where a bunch of sites have smaller numbers of feeds syndicating
  • Better  admin interface for managing tags/categories associated with syndicated posts; search to find feeds by url, title, tag?
  • Interface for grouping syndicated feeds and working with them. (sort of related to the previous idea)- mass tagging or unsubscribing
  • cron for all ds106 sites is now running as update mode (6/1/2011)
    The warning when feeds are set to cron is confusing  since feeds do update.Note: Automatic updates are currently turned off. New posts from your feeds will not be syndicated until you manually check for them here. You can turn on automatic updates under Feed & Update Settings.There should be separate settings for cron versus manual?
  • Another point is making sure that users who sign-up in BuddyPress have the FWP settings using the BP username and associated it with the Feed. As of now associating feeds with usernames is manual, and a major PITA