Archive for the ‘Camp Magic MacGuffin’ Category

 

Edu-Apocalypse

Monday, July 2nd, 2012

“This is the week for your major audio storytelling collaborative project – a group radio show. This is not something you should leave for the end of the week!”

Oh how I should have heeded those words! Since I was busy attending the ISTE 2012 conference last week, I didn’t do a thing about this audio assignment until July 1. I decided that I would follow the suggestion and do something about the morning after the edu-apocalypse.

If I had more time, I would have added a movie announcer voice intro and autotuned some of the speeches. The fact that my radio show about creativity was not very creative was not lost on me!  Maybe another day…This was my first real audio assignment and I really enjoyed it. On the plus side, maybe I can use this as the introduction to my workshop on Teaching and Learning later this week!

How I Created This

It took me forever to figure out how to get the audio from a You Tube video onto my computer. After trying numerous applications that didn’t really work, I realized that there was a Firefox Add-on that would do just the trick!

I added the Easy YouTube Video Downloader Add-on to my Firefox browser. So every time I go to YouTube, the downloader button is present.

This Add-on allows you to determine one of several different file types for your download:

As long as my internet connection was good (i.e. when no one was streaming the Euro2012 soccer final!) then the download was smooth and relatively quick.

I downloaded the audio from two of the ISTE 2012 keynote presentations as well as another Ken Robinson Ted Talk about creativity. I then downloaded the theme music from a 70′s science fiction movie.

I then used Audacity to select sections of the speeches and music to piece them together into one 5 minute presentation.

Letter Home: Week…. I’ve lost track

Tuesday, June 26th, 2012

Dear Family,

I know you were expecting an audio letter this week, but I don’t feel comfortable talking.  They’re listening.  They’re all listening, and I’m afraid something will happen if they hear what I have to say.  The camp counselors have Lost.  Their.  Minds.  I’m not sure it’s just the counselors either.  There’s some real House of Leaves s**t going on around here.  There are whispers of tainted sloppy joes, aliens posing as Canadians, cats and dogs living together.

If you don’t hear from me again, please contact the authorities.

Sincerely,

Me

P.S.  I have a bad rash.

P.S.S.  I want to come home.

Open Letter to Chanda

Tuesday, June 26th, 2012

Dear Chanda,

I totally ripped you off by co-opting a short clip from a well-known movie and turning it into my DS106 Radio bumper.  I’m sorry.  I was desperate.  Attempts at other audio assignments failed.  Miserably.

Sincerely,

Me

You can listen to my bumper here:

You can find Chanda’s bumper here.

I’ve listened to DS106 Radio a few times, and I’m enamored with the set up and what I’ve been hearing.  When DS106 Radio was first mentioned, I thought about that 1990 Christian Slater classic, Pump Up the Volume.  God I loved that movie.

Over the weekend, I watched Awesome: I Fucking Shot That, a Beastie Boys concert film shot by 50 members of the audience.   After this viewing, I got it in my mind to do the “Forced Collabo” audio assignment.  Who wouldn’t really?  Skip to about 3:30 in this video and tell me that Mixmaster Mike’s job doesn’t look totally easy.  Right?  Right?

Yeah. Not so much.  After many attempts to find the perfect songs to mash-up, I gave up with the realization that (1) I have a crappy music collection and (2) I have been blindly consuming music rather than listening.  Sad.

Here’s another clip from Awesome just for fun.  It’s “Intergalactic.”  Look how happy everyone in the crowd looks.



Create with The Great

Sunday, June 24th, 2012

Snoopy - It Was a Dark and Stormy Night

How would you like to have the support of six seven classic authors sitting at your table, collaborating with you as you compose your next great piece of writing?

The Greats + 1

My friend and colleague Doug Peterson has a new blog post waiting every morning at 5:01 am, and this morning’s post prompted me to immediately launch the web browser on my iPad to test out his latest find on the web, Google’s demo Masters Edition.  Shortly thereafter, I was sitting at my computer, running a screen capture as I pounded out the opening lines to my next great epic.

Now granted, I didn’t give The Masters a lot to work with. And I would assume that in their day they needed editing for context and syntax in their writing, too — in this instance, their contributions didn’t necessarily always get the gist spot on. Perhaps I was expecting that their additions would automatically improve the quality of the writing piece, and rather, need to see them more as collaborators, merely contributing suggestions. It must be up to us as the writer to make the final call.

Here is my tentative text, augmented with colour to highlight each author’s initial contribution. You will note that a couple of extra lines were added by Poe and Shakespeare after the video capture was stopped. Clearly, those two weren’t paying attention at the time. 

It was a gloomy and stormy night. Snoopy comfortably esconced huddled over his typewriter. That dratted Black Baron was up to no good again.

Suddenly, Woodstock as well as his tiny little yellow friends appeared, flittering around the dog house, attempting to cheer Snoopy up.

Under the canopy of darkness, it was a town of unnatural red and black like the painted face of a savage, the triplane of the nemesis of all good. “What shall I do presently?” imagined Snoopy, as he lowered his goggles and wrapped his scarf tightly around his neck. “This wilt be the undoing of me and my tiny little feathered friends!”

As the shining eye of heaven rose, and Snoopy’s Sopwith Camel rose into the sky and headed into battle, the birds began to issue forth their morning war cry, and the day was good. I wish I could write as mysterious as a cat. … Let not sloth dim your horrors new-begot.

Tally and My Assessment of the Contributions

I’ve indicated below my take on the contributions (how many of their suggestions “might work” out of the total number of suggestions offered).

• Nietzsche      0/0   no contributions
• Shakespeare  1/4  I kind of like “shining eye of heaven” in place of “sun”
• Dostoyevsky  0/0 no contributions
• Dickinson  0/0 no contributions
• Dickens  0/1 totally out of context, man!
• Poe  2/7  points for effort, Edgar! Not sure about that cat comment though.

While I don’t know that I would select any of Poe’s suggestions specifically, at least, “gloomy,” “as well as,” “presently,” and “imagined” kind of fit into the flow. So half a point each.  But changing the Red Baron to the Black Baron is right out. 

I would be remiss if I didn’t give Shultz a nod:
• Shultz Great characters, that dog house setting is a little sparse. 

So. This initial attempt results in a question. Would a longer engagement with the Google Docs: Masters Edition result in improved product? (Maybe a bit more engagement on my part might help?) Perhaps the act of contemplating the suggestions of others is the intent — whether their suggestions themselves are incorporated, or rather simply serve as springboards, and create pause for reflection.  Would I press on with more formal narrative writing, looking to see improvement from this tool? Or is it more of an amusement?

Perhaps you can give it a whirl and offer your own thoughts?

By the way, while a search on Google resulted in multiple instances of Shultz’s image of Snoopy typing “It was a dark and stormy night,” these two images both came from a post titled “11 Great Writing Tips and Overcoming Writers’ Block.FWIW.

If you are interested in seeing the real time authoring, I’ll be posting it to the Youtube.

Animated Giff’n

Saturday, June 23rd, 2012

Finally.  I got around to making a few animated Gifs.  I chose Ghost World.  I love Thora Birch’s interpretation of Enid.  Birch’s expressions are priceless, and kind of capture what I feel at least a few times a week.  Is it healthy to possess so much teenage angst at 36?  I’m not so sure.

I decided to use the first day of summer school since the expressions in this scene sum up how Enid feels about a lot of the bullsh**ery that exists in the adult world.  For those of you who haven’t seen the movie or read the comic, Enid has just graduated from high school with the provision that she take and pass a summer art class since she failed the class during the school year.  Enid happens to be a talented artist.  I wonder how Enid would have done if she were in a class structured more like an independent study…

Here are those Gifs…

There’s too much dead time at the beginning of this first clip, but it was the first attempt.

Thora Birch in Ghost World

 

This one didn’t turn out quite as I had imagined either.  I also screwed up on the resizing.  But these things happen.

More Enid in art class

 

This one is my favorite:

Yup. Enid in art class

 

I followed Jim Groom’s tutorial.  Very helpful stuff there.

 

 

 

 

 

It all starts with the birds

Saturday, June 23rd, 2012

My dad grew up on a farm.  Apparently farm kids wake up at obscene hours to do farm things.  By the time I came along, my dad had moved well beyond farming, but still kept what I thought to be very weird hours.  As a tween/teenager, nothing extinguished the candy-colored joy of summer vacation more than having to get up at 6:00 a.m. to pick vegetables in the garden.   Rising before noon was the ultimate injustice to 14-year-old me.

Somewhere between there and here I started waking up early and enjoying it.  I think it started when I picked up running in college.  There is peace to be found at 5:30 in the morning when very few people are awake and the sun is just beginning to rise.

When it’s cool enough outside to sleep with the windows open, my alarm usually isn’t the first thing I hear in the morning.  It all starts with the birds.  The damn birds.  Then the city bus that passes by the house around 5:15 a.m.

This is the crap I wake up to most mornings:



Audio Assignment: Bad Company & the Chipmunks

Friday, June 22nd, 2012

Mainstream Chipmunk’d: The object of this assignment is to take a mainstream artist and chipmunk them.

Bad Company meets the Chipmunks for a helium-fueled retake on a classic track.

I raised the pitch, and hopefully, THE BAR.

B-52?s Chipmunk’d!

Friday, June 22nd, 2012

Holy crow it’s been a busy week.  Had a couple of days of workshops with Diana Laufenberg.  Boy does she make me feel like a total slacker.

I’ve been kicking around the parks with the 2-year-old.  As a result, I totally neglected DS106.  I miss it.  The week doesn’t feel complete without doing something.  So here’s the first of what I hope is the first of several audio assignments.

I used Aviary’s Myna to chipmunk the B-52′s “Deadbeat Club.”

For your listening pleasure…



Reading A Monkey Movie

Wednesday, June 20th, 2012

In looking for a film to fit into the I Can Read Movies assignment, I decided would start by repurposing my initial Monkey House vector graphic and work with Terry Gilliam’s 1995 film, 12 Monkeys.  Like Gilliam’s 1985 film, Brazil, the film is set in a dystopian future, but also introduces the wrinkle of time travel. Visually stunning and mind-bending, the film is worth viewing if you haven’t seen it.

I decided to work at extending my skills using Illustrator by trying to recreate the graphics template from the original book series. While that was easily doable, the further task of “aging” the book put a bit of a crimp in my timeline. I tried following the Photoshop tutorial by MOME, but struggled to get the right textures, and so, in the interests of time, I sought out some aged paper textures on the Internet, and eventually settled on Old_Scroll_Texture_II_by_Isthar_art, going back to Illustrator to get a partial effect. Unfortunately, of necessity, the layering put the effect under the text, so the text and images on the cover don’t really look aged to match the paper. However, as I was getting ready to post this, I decided to go back and try the tutorial once more, and managed to figure it out in Photoshop. Maybe I was sleepy the first time!

So here are two versions. First the Illustrator-only version, and second, the fiddled-with brushes-in-Photoshop version.

"I Can Read Movies: 12 Monkeys" by aforgrave, on Flickr

“I Can Read Movies: 12 Monkeys” by aforgrave, on Flickr

"I Can Read Movies: 12 Monkeys" by aforgrave, on Flickr

“I Can Read Movies: 12 Monkeys” by aforgrave, on Flickr

However, in doing a bit of research into the movie, I came across an amazing antecedent for the film, discovering that Gilliam’s film was actually a re-make/re-imaging of a quirky black and white still-motion sci-fi film from 1962 by Chris Marker, entitled La Jetée.

Searching online revealed a section of the film. Check it out.

http://www.youtube.com/watch?v=cTFzA5HsIbs

Cool, eh?  If there isn’t already a ds106 video assignment focusing on telling a narrative like this using using still images, there should be. This film produces a wonderful result.  It’s reminiscent of the missing sections of Frank Capra’s 1937 Lost Horizon that have been replaced with existing promotion stills (to accompany the remaining audio track). It’s an eerie effect. And quite dramatic. It creates an interesting space for you to fill in some gaps on your own. Maybe I’ll aim for something like that when we get to video…

Now, as an add-in bonus, while searching for existing images for 12 Monkeys, I found this:

Brad Pitt from 12 Monkeys as an animated GIF

Brad Pitt from 12 Monkeys as an animated GIF (not mine!)

I’ve been looking for a film to explore the cinematic animated GIF assignment, Say It Like Peanut Butter. Perhaps I’ll take a further look into 12 Monkeys…

And, if that weren’t sufficient monkey-related input for summer reflection, my copy of our Camp Magic MacGuffin Monkey House name inspiration arrived recently in the mail.

"Summer Reading for Monkeys" by aforgrave, on Flickr

“Summer Reading for Monkeys” by aforgrave, on Flickr

Read on, Monkeys and campers! Read on!!

I just happened to be here.

Tuesday, June 19th, 2012

I mentioned it yesterday and couldn’t sleep last night for thoughts of GIFing Hal Hartley’s Trust.  This was easier in Schizopolis in many ways, because Hartleys films are already focused on faces and moments.  But, oh… the faces, the moments.  In the kitchen this morning, in between coffee and rinsing a quart of hair gel off of Annika, I watched the last 3 minutes of the film and bawled.  Schizopolis was our Saturday night party film, the “OMG you have to see this!” film, even though most people passed out or lost interest before the dentist-transmigration.

Trust came on after that, and always ended in tears.  My conscious (but always denied) attempt to live in the stilted Hartley language was certainly a contributor to many of friendship disintegrating fights in college.  It’s an old film – almost as old now as The Conversation was when I first saw Trust in 1998.

Even as the fashion ages into comedy, there emotional core will shift and grow with you.  Here’s my attempt to do some meager justice to this in a handful of frame grabs.

The lines and music under that last GIF add everything.

“Why have you done this?”

“Done what?”

“Put up wth me like this.”

“Somebody had to.”

“But why you?”

“I just happened to be here.”

That’s pop song strength – lines that can grow with you from bleak reflection on relationships into a tear-wrenching reflection on the arbitrary unconditional love of parenthood.  They just happened to be there, and I needed them.